Publications

2017


  • Baró, Arnau, Pau Riba, Jorge Calvo-Zaragoza, and Alicia Fornés. “Optical Music Recognition by Recurrent Neural Networks.” In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS, 2017.

  • Behrendt, Inga, Jennifer Bain, and Kate Helsen. “MEI Kodierung Der Frühesten Notation in Linienlosen Neumen.” Edited by Hannah Busch, Franz Fischer, and Patrick Sahle. Kodikologie Und Paläographie Im Digitalen Zeitalter / Codicology and Paleography in the Digital Age 4 (2017): 281–96.

  • Calvo-Zaragoza, Jorge, Jose Javier Valero-Mas, and Antonio Pertusa. “End-to-End Optical Music Recognition Using Neural Networks.” In Proceedings of the 18th International Society for Music Information Retrieval Conference (ISMIR). Suzhou, China, 2017.

  • Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. “Pixelwise Binarization of Musical Documents with Convolutional Neural Networks.” In Proceedings of the 15th IAPR International Conference on Machine Vision Applications. Nagoya, Japan, 2017.

  • Calvo-Zaragoza, Jorge, Gabriel Vigliensoni, and Ichiro Fujinaga. “Staff-Line Detection on Grayscale Images with Pixel Classification.” In Proceedings of the 8th Iberian Conference on Pattern Recognition and Image Analysis. Faro, Portugal, 2017.

  • Calvo-Zaragoza, Jorge, Ké Zhang, Zeyad Saleh, Gabriel Vigliensoni, and Ichiro Fujinaga. “Music Document Layout Analysis through Machine Learning and Human Feedback.” In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS, 2017.

  • Garfinkle, David, Peter Schubert, Claire Arthur, Julie Cumming, and Ichiro Fujinaga. “PatternFinder: Content-Based Music Retrieval with Music21.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology. Shanghai, China, 2017.

  • Hankinson, Andrew, and Julia Craig-McFeely. “Building the New DIAMM: Linking and Sharing Data for Medieval Musicology.” In Conference Abstracts of Digital Humanities. Montreal, QC, 2017.

  • Ju, Yaolong, Nathaniel Condit-Schultz, Claire Arthur, and Ichiro Fujinaga. “Non-Chord Tone Identification Using Deep Neural Networks.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology. Shanghai, China, 2017.

  • McKay, Cory, Andrew Hankinson, Julie Cumming, and Ichiro Fujinaga. “A Database Model for Computational Music Research.” In Proceedings of the 4th International Workshop on Digital Libraries for Musicology. Shanghai, China, 2017.

  • Morgan, Alexander. “Renaissance Interval-Succession Theory: Treatises and Analysis.” PhD diss., McGill University, 2017.

  • Risk, Laura. “Veillées, Variants, and Violoneux: Generic Boundaries and Transnational Trajectories in the Traditional Instrumental Music of Quebec.” PhD diss., McGill University, 2017.

  • Saleh, Zeyad, Ké Zhang, Jorge Calvo-Zaragoza, Gabriel Vigliensoni, and Ichiro Fujinaga. “Pixel.Js: Web-Based Pixel Classification Correction Platform for Ground Truth Creation.” In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS, 2017.

  • Sober-Mira, Javier, Jorge Calvo-Zaragoza, David Rizo, and Jose M. Iñesta. “Pen-Based Music Document Transcription.” In Proceedings of the Twelfth IAPR International Workshop on Graphics Recognition. Kyoto, Japan: Springer LNCS, 2017.

  • Thomae, Martha. “Automatic Scoring up of Mensural Music Using Perfect Mensurations, 1330-1550.” Master’s Thesis, McGill University, 2017.

  • Vigliensoni, Gabriel. “Evaluating the Performance Improvement of a Music Recommendation Model by Using User-Centric Features.” PhD diss., McGill University, 2017.


2016


  • Fujinaga, Ichiro, Andrew Hankinson, and Laurent Pugin. “Automatic Score Extraction with Optical Music Recognition.” In Current Research in Systematic Musicology, R. Bader, M. Leman, R. Godoy, Eds. Heidelberg: Springer, 2016.

  • Laplante, Audrey, and Ichiro Fujinaga. “Digitizing Musical Scores: Challenges and Opportunities for Libraries.” In Proceedings of the 3rd International Workshop on Digital Libraries for Musicology, 2016. doi:http://dx.doi.org/10.1145/2970044.2970055.

  • Pedersoli, Fabrizio, and George Tzanetakis. “Document Segmentation and Classification into Musical Scores and Text.” International Journal on Document Analysis and Recognition (IJDAR) 19, no. 4 (2016): 289–304.

  • Yang, Ling-Xiao. “Singing Transcription Using Machine Learning with Feature Selection.” Master’s Thesis, McGill University, 2016.


2015


  • Cumming, Julie, and Peter Schubert. “The Origins of Pervasive Imitation.” In The Cambridge History of Fifteenth-Century Music, edited by Anna Maria Busse Berger and Jesse Rodin. Cambridge, UK: Cambridge University Press, 2015.

  • Fujinaga, Ichiro, and Andrew Hankinson. “Single Interface for Music Score Searching and Analysis (SIMSSA).” In Proceedings of the First International Conference on Technologies for Music Notation and Representation. Paris, France, 2015.

  • Hankinson, Andrew, Evan Magoni, and Ichiro Fujinaga. “Decentralized Music Document Image Searching with Optical Music Recognition and the International Image Operability Framework.” In Proceedings of the Digital Library Federation Forum. Vancouver, BC, 2015.

  • Risk, Laura, Lillio Mok, Andrew Hankinson, and Julie Cumming. “Computational Ranking of Melodic Similarity in French-Canadian Instrumental Dance Tunes.” In Proceedings of the 16th International Society for Music Information Retrieval (ISMIR), 2015.

  • Schubert, Peter, and Julie Cumming. “Another Lesson from Lassus: Using Computers to Analyse Counterpoint.” Early Music 43, no. 4 (November 2015): 577–86.

  • Sigler, Andie, Jon Wild, and Eliot Handelman. “Schematizing the Treatment of Dissonance in 16th-Century Counterpoint.” In Proceedings of the 16th International Society for Music Information Retrieval Conference (ISMIR), 2015.


2014


  • Lacoste, Debra, and Jan Koláček. “CANTUS for Office and Mass: Building an Online Network of Chant Databases.” In Cantus Planus: Study Group of the International Musicological Society — Papers Read at the 18th Meeting, Venice, Italy, 2014. Venice, Italy, 2014.

  • Bain, Jennifer, Inga Behrendt, and Katherine Helsen. “Linienlose Neumen, Neumentrennung und Repräsentation von Neumen mit MEI Schema–Herausforderungen in der Arbeit im Optical Neume Recognition Project (ONRP).” In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, edited by Sabine Philippi and Philipp Vanscheidt, 119–32. Trierer Beiträge zu den historischen Kulturwissenschaften 12. Wiesbaden: Ludwig Reichert, 2014.

  • Charalampos, Saitis, Andrew Hankinson, and Ichiro Fujinaga. “Correcting Large­-Scale OMR Data with Crowdsourcing.” In Proceedings of the International Workshop on Digital Libraries for Musicology, 88–90. London, UK, 2014.

  • Cumming, Julie. “The Past Is Not Over: Special Collections in the Digital Age.” In Meetings with Books: Symposium on Special Collections in the 21st Century. With a Tribute to Raymond Klibansky and an Illustrated Survey of McGill Library Special Collections, edited by Jillian Tomm and Richard Virr, 109–14. Montreal: McGill University Library, 2014.

  • Fujinaga, Ichiro, Andrew Hankinson, and Julie Cumming. “Introduction to SIMSSA (Single Interface for Music Score Searching and Analysis).” In Proceedings of the International Workshop on Digital Libraries for Musicology, 100–102. London, UK, 2014.

  • Fujinaga, Ichiro, David Sears, and Andrew Hankinson. “Big Data for the Music Perception and Cognition Community.” In Book of Abstracts of International Conference on Music Perception and Cognition - Asia-Pacific Society for the Cognitive Sciences of Music Joint Conference, 78. Seoul, South Korea, 2014.

  • Goebl, Werner, Roberto Bresin, and Ichiro Fujinaga. “Perception of Touch Quality in Piano Tones.” Journal of the Acoustical Society of America 136 (2014): 2839–50.

  • Hankinson, Andrew. “Optical music recognition infrastructure for large-scale music document analysis.” PhD diss., Schulich School of Music, McGill University, 2014.

  • Hankinson, Andrew, and Ichiro Fujinaga. “Accessing, Navigating, and Engaging with High-Resolution Document Image Collections Using Diva.Js.” In Conference Abstracts of Digital Humanities, 186–88. Lausanne, Switzerland, 2014.

  • Helsen, Kate, Jennifer Bain, Ichiro Fujinaga, Andrew Hankinson, and Debra Lacoste. “Optical Music Recognition and Manuscript Chant Sources.” Early Music 42 (2014): 555–58.

  • Pugin, Laurent, Rodolfo Zitellini, and Perry Roland. “Verovio: A Library for Engraving MEI Music Notation into SVG.” In Proceedings of the 15th International Society for Music Information Retrieval Conference (ISMIR), 107–12. Taipei, Taiwan, 2014.

  • Roland, Perry, Andrew Hankinson, and Laurent Pugin. “Early Music and the Music Encoding Initiative.” Early Music 42 (2014): 605–11.

  • Siedenburg, Kai, Ichiro Fujinaga, and Stephen McAdams. “Technologies of Timbre: On Audio Features and Evaluation in Interdisciplinary Music Research.” In Proceedings of the 9th Conference on Interdisciplinary Musicology. Berlin, Germany, 2014.

  • Vigliensoni, Gabriel, and Ichiro Fujinaga. “Identifying Time Zones in a Large Dataset of Music Listening Logs.” In Proceedings of the International Workshop on Social Media Retrieval and Analysis, 27–32. Gold Coast, Australia, 2014.

  • Winters, R. Michael, and Julie E. Cumming. “Sonification of Symbolic Music in the Elvis Project.” In Proceedings of the 20th International Conference on Auditory Display (ICAD–2014). New York, USA, 2014.


2013


  • Burgoyne, John Ashley, Jon Wild, and Ichiro Fujinaga. “Compositional Data Analysis of Harmonic Structures in Popular Music.” In Proceedings of the International Conference on Mathematics and Computation in Music, 52–63. Lecture Notes in Artificial Intelligence 7937. Montreal, QC, 2013.

  • Cohen, Annabel J., Ichiro Fujinaga, Nyssim Lefford, Theresa Leonard, George Tzanetakis, and Coralie Vincent. “A Digital Library to Advance Interdisciplinary Research in Singing.” In Proceedings of the International Congresses on Acoustics. The Journal of the Acoustical Society of America, 133:3591, 2013.

  • Devaney, Johanna, Jason Hockman, Jon Wild, Peter Schubert, and Ichiro Fujinaga. “Diatonic Semitone Tuning in Two-Part Singing.” In Conference Program of the Society of Music Perception and Cognition Conference, 43. Toronto, ON, 2013.

  • Fujinaga, Ichiro, and Andrew Hankinson. “SIMSSA: Towards Full-Music Search Over a Large Collection of Musical Scores.” In Conference Abstracts of Digital Humanities, 187–89. Lincoln, NE, 2013.

  • Lacoste, Debra. “CANTUS: A Database for Latin Ecclesiastical Chant - Progress Report (2009).” In Papers Read at the 15th Meeting of the IMS Study Group ’Cantus Planus’, DobogókÅ/Hungary, 2009. Aug. 23-29, 939–43. Lions Bay, BC, Canada: The Institute of Medieval Music, 2013.

  • Vigliensoni, Gabriel, Gregory Burlet, and Ichiro Fujinaga. “Optical Measure Recognition in Common Music Notation.” In Proceedings of the 14th International Society for Music Information Retrieval Conference (ISMIR), 125–30. Curitiba, Brazil, 2013.


2012


  • Burlet, Gregory, Alastair Porter, Andrew Hankinson, and Ichiro Fujinaga. “Neon.Js: Neume Editor Online.” In Proceedings of the 13th International Society for Music Information Retrieval Conference (ISMIR), 121–26. Porto, Portugal, 2012.

  • Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, and Ichiro Fujinaga. “Creating a Large-Scale Searchable Digital Collection from Printed Music Materials.” In Proceedings of the World Wide Web Conference, 903–908. Lyon, FR, 2012.

  • Hankinson, Andrew, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, and Ichiro Fujinaga. “Digital Document Image Retrieval Using Optical Music Recognition.” In Proceedings of 13th International Society for Music Information Retrieval Conference (ISMIR). Porto, Portugal, 2012.

  • Hankinson, Andrew, Wendy Liu, Laurent Pugin, and Ichiro Fujinaga. “Diva: A Web-Based Document Image Viewer.” In Proceedings of the Conference on Theory and Practice in Digital Libraries. Heidelberg: Springer, 2012.

  • Lacoste, Debra, and Jan Koláček. “Renewal, Revival, Rejuvenation: A New Vision for the Cantus Database.” In Cantus Planus: Study Group of the International Musicological Society - Papers Read at the 16th Meeting, Vienna, Austria, 2011, 202–9. Vienna: Verlag Brüder Hollinek, 2012.


2011


  • Hankinson, Andrew, Perry Roland, and Ichiro Fujinaga. “The Music Encoding Initiative as a Document-Encoding Framework.” In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 293–98. Miami, FL, 2011.

  • Helsen, Kate, and Debra Lacoste. “A Report on the Encoding of Melodic Incipits in the Cantus Database with the Music Font ‘’Volpiano.’” Plainsong & Medieval Music 20, no. 1 (2011): 51–65.

  • Lacoste, Debra. “The Cantus Database: Mining for Medieval Chant Traditions.” In Digital Medievalist, Vol. 7. Barnard College, 2011.

  • Vigliensoni, Gabriel, John Ashley Burgoyne, Andrew Hankinson, and Ichiro Fujinaga. “Automatic Pitch Detection in Printed Square Notation.” In Proceedings of the 12th International Society for Music Information Retrieval Conference (ISMIR), 423–28. Miami, FL, 2011.


2010


  • Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. “An Interchange Format for Optical Music Recognition Applications.” In Proceedings of the 11th International Society for Music Information Retrieval Conference (ISMIR). Utrecht, NL, 2010.


2009


  • Hankinson, Andrew, Laurent Pugin, and Ichiro Fujinaga. “Interfaces for Document Representation in Digital Music Libraries.” In Proceedings of the 10th International Society for Music Information Retrieval Conference (ISMIR). Kobe, JP, 2009.